Sculptor | Beatriz Cunha | Escultura: Opening of the 9th Sintra Public Art exhibition | Abertura da IX exposição Sintra Arte Pública

Wednesday, July 4, 2012

Opening of the 9th Sintra Public Art exhibition | Abertura da IX exposição Sintra Arte Pública

Titan - fragment

Sintra's town palace

Here are some other works that can be seen for one year in the town of Sintra

Vicent william's piece: "Memories of Madagascar"

explaining my work.

Elliot Sharrad: "Stories from the time of dreams"

Haude Barnabé: "Erzhulie"

Carlos Bajouca: "Sin"

Stefano Beccari: "Siren"

Moisés: "Logos - Ansa"

Nicolau Campos: "Imprisoned dragon"

A crowd of Sculptors

Livio de Morais: "Maternity"

José Alves: "Faun" here explained by Ana Bensabat

Renato Rodyner: "Continuation of the myth"

Diogo Rosa: "Eve", here in the company of Sandra Borges

Master Carver Avelino Baleia: "Compressed"

Patrick Adam: "Time"

Linda de Sousa: "Dafne"

Abilio Febra: "The legend of the warrior musician"

group photos

4 comments:

patrickgracewood said...: Beatriz, Congratulations.
What a wonderful exhibition in a lovely setting. The green shows off the sculpture very well. Love that they are along a path and travel from one to another.; July 7, 2012 at 2:07 AM
Beatriz Cunha said...: Thank you Patrick, you are very kind.
Sintra really is a privileged place for sculpture.; July 7, 2012 at 10:21 AM
James said...: Thise sculptures are so cool!; August 8, 2012 at 4:03 PM
LE CHEMIN DES GRANDS JARDINS said...: Magnifique.
à bientôt.

Roger; August 24, 2012 at 11:20 AM

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The creation of my pieces starts with the observation of the complex relations established between phenomena as diverse as nature’s fertility, man made objects, music or art history. It’s an intimate work in search of integrating conflicting forces, ultimately leading to the transmutation of the parts in to a transcending whole. The shape contains in it self the memory of the evolution from one condition to another in a process of transformation that is at the same time natural, personal and cultural.

A concepção das minhas peças parte da observação e da abstracção das relações que se estabelecem entre fenómenos tão diversos como a fertilidade da natureza, objectos de construção humana, a musica ou a história da Arte. É um trabalho íntimo que busca integrar forças em conflito e que conduz à transmutação das partes num todo que as transcende. A forma guarda a memória da evolução de uma condição para outra, num processo de transformação que é pessoal, natural e cultural.